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May 2, 2008

Seriously?

Greg "Garbo" Garbowsky is the bass guitarist for the band Jonas Brothers.
from his blog:

i'm embarrassed to say this, but i am enjoying listening to the new Panic at the Disco album, "Pretty. Odd." which came out last week. They were the band i loved to hate; bad music and bad makeup to go with it. but now i find myself driving around alone listening to the new album screaming, "why do you have to be so good?!?! agghhh!" after nearly running over a hobo, i realized the reason it's so good is because it blatantly rips-off the beatles' "sgt. peppers" album. it's worth noting for those of you keeping score that "sgt. pepper's lonely hearts club band" is also widely accepted as the greatest album of all-time. the beatles were such a phenomenal band, that even mediocre bands who mimic their style 41 years later will still sound awesome. For teenagers on a steady diet of fall out boy, this will likely be their first introduction to a psychedelic influence in pop music. I hope this somehow begins a musical journey for these kids which ultimately leads to discovering the works of the fab four. "Pretty. Odd." isn't about Panic at the disco - it's a testament to how great the Beatles still are.

unfortunately this record is listenable from start to finish, which is exactly what i keep doing. i really really didn't want this to happen. but it did. cheers to you panic at the disco. well done.

everybody rips-off everybody; they just happened to rip-off the best. smart move.

____________________________________________________________________________
are you serious dude?
http://greggarbo.blogspot.com/2008/04/ah-crap-new-panic-album-is-actually.html

Posted on 05/02/2008 6:57 PM Comments (6)

April 28, 2008

Look Into My Eyes, All You Can See Is Nothing -- Chapter 1

“You’re worthless.” Said Nicole’s boyfriend of 4 months.  She was used to those kinds of things happening every time they spoke or went on dates.  Why did she stay with him?  She was “in love”.

FLASHBACK
Nicole had one dream in life, to be a dancer.  She practiced at every single chance that she could, and it showed.  Dancing was her life…until it all got taken away.

“I’m sorry, but we just can’t afford it right now!” explained nicole’s parents.  This wasn’t easy for them, but they had no other choice.

“This isn’t fair!” Nicole shouted as her parents stood in the frame of her bedroom door, reeking of bad news.

“What am I going to tell all of my friends?! I’ve worked so hard!! Don’t you even care? I can’t live my life without it! I CAN’T!” Nicole was raging inside.  She didn’t know how her life was going to turn out.  It would be completely ruined now that she was being taken away from the one thing that never got old to her.  She was in love, with dancing.

*3 months later

Nicole’s POV

“Hmm, who is that?” I whispered quietly as I searched through my aim buddy list.

“I don’t remember adding this person” I smirked slightly, wondering how this mysterious name magically showed up out of nowhere.

After I had to stop dancing, things hadn’t been the same.  I was no longer in the loop, and many of my friends no longer considered me a “friend”.  They didn’t need me for any purpose in their life anymore.  I tried to move on, acting like things were okay but it never really worked.  There was an empty whole in the inside of my heart (believe it or not) where dancing used to be.  However, I tried to fill that void with countless hours on the computer, and thousands of conversations with my “internet” friends.  Yet, it never worked.

A window for a conversation popped up.

“hey who is this?” I asked waiting for a detailed reply.

“uh, this is nick…I know your friend brent” he replied within a matter of seconds.

(I never really did like brent.  He was always the creepy kid in the back of the classroom who would give your phone number out to all of his friends.  His friends being people whom I did not want my number to be given to.)

“umm cool, I’m Nicole just in case you were wondering.  How old are you?” I questioned

(I was seventeen, in search of something to find, not yet knowing what.)

“I’m 16, how old are you?” he seemed really eager to find specifications out.  As did I, I suppose.

“I’m seventeen.”

“awesome :D”

It all started with that minute long conversation.  Something so simple and forgettable that turned into something so unbearable.  Minutes turned into hours.  Hours turned into days.  Days turned into weeks.  Weeks turned into months.

*No ones POV

As the months flew by Nicole and Nick were inseparable.  They spent every waking moment they could, together. Then, things changed.  At first nick was marvelous boyfriend always doing and saying the right things, he loved Nicole.  But after a few months, harsh words started spewing out of nick’s mouth, tearing apart at the inside of nicole’s soul.  Every day she wondered why she was still with him.  Trying to make excuses for him every times she came home crying.

END FLASHBACK

“You’re worthless.” Nick stated as he was talking to his girlfriend of four months.

Nicole simply stayed silent taking in the cruel expressions that had just entered her ears.

After mere seconds had passed, the only words Nicole managed to pry from her mouth were:

“…whatever”

An awkward silence filled the conversation as Nicole drifted off into thought.

*Nicole’s POV
I couldn’t let this happen again.  Come home or get off of the phone and burst into tears.  I have to end this some how.  But what will I have if I end this? I’ll be exactly where I was months ago.  This is what I tried to fill my empty, null self with after dancing was ripped away from me.  This is all I have, and apparently this is all that I think I deserve.

“I have to go” I told him as disappointment filled the airwaves of the phone line.

“but why??” he seemed so oblivious I couldn’t believe it!

“umm my parents said I have to get off the phone”

“alright, love you” those words pierced through my ear drums as slow as they possibly could after exiting from his lips.

I hesitated, not knowing what to say.  I love him don’t I? Yes, I love him.  I love him.  I love him.  I love him.  He’s just so mean.  Why should I have to deal with someone so mean especially if they so-call love me?!

A million thoughts traveled through my brain in a matter of seconds. Before replying with some of the simplest, most powerful, 3 words you will ever speak.

“love you too” I said.  The words barely escaped from my mouth.  I felt disgusted with myself for letting those words slip yet another time.

The conversation ended as dark feeling turned in the pit of my stomach.  This eerie pain occurred almost every time I got off the phone with nick.  I realized I was in tears as I looked up from the phone that had just been shut.  I didn't know what to do. This man boy was obviously not good for me.  And something needed to change.  Somehow.
_______________________________________________________________________________________________

ohhhhh k.  So i decided that i wanted to make my own fan fic.  I know there are tons of fan fics out there but I thought this was a neat way to kind of get things off of my mind.  Like channel all of my energy into writing!! Plus it was lots of fun :D muaha
anyway.  I know this first part might have been kinda boring, but it's just the intro! so stick around for chapter 2!
buzz+comment please!!
pee ess: this does have panic at the disco in it....they're in parts to come :D
love


Posted on 04/28/2008 10:25 PM Comments (5)

April 26, 2008

Pretty. Odd.? more like pretty. GOOD..

"Pretty. Odd." has done more than pretty well for Panic at the Disco.

The sophomore album from the Decaydance/Fueled By Ramen artists debuted at No. 2 on the SoundScan/Billboard 200 album chart. It follows the success of the Las Vegas-based band's platinum 2005 debut, "A Fever You Can't Sweat Out," which debuted at No. 1 on SoundScan's Current Alternative Albums chart.

The success of "Pretty. Odd." signifies the band's best-ever sales week.

"I'm excited, I don't know what to think about that," Panic at the Disco drummer Spencer Smith said during a phone interview from Louisiana. "It seems surreal."

When it came time to create its sophomore album, Panic at the Disco (guitarist Ryan Ross, vocalist Brendon Urie, bassist Jon Walker and Smith) wanted to make sure it was exactly what they wanted.

"Luckily we didn't have some A&R guy from the record label watching everything we were doing, giving his opinion," Smith said. "It was pretty much us, just writing exactly what we wanted, and that's what made it so fun. It took us a little while, but eventually we all became focused and on the same page. And it really became a band or group writing experience."

Songwriting inspiration for "Pretty. Odd." came from a variety of experiences, one of which was the band's quick rise to fame.

"In the last couple of years, everything's happened so fast for us," Smith said. "We went from a local band to doing a headlining tour within a short amount of time, and it's definitely something that was very much a part of our lives. That's what a few songs are about."

The first single from "Pretty. Odd.," "Nine in the Afternoon," is quickly climbing the charts; currently a Top 10 on alternative radio. The single's music video was directed by Shane Drake, the mastermind behind the band's 2006 MTV Video Music Award-winning Video of the Year for "I Write Sins Not Tragedies." The video for "Nine in the Afternoon" is currently the No. 3 most-played video on MTV and the No. 1 video on Fuse.

All in all, Smith says the band just wanted to make sure they were "one step further than our last album." And yes, he feels they've achieved just that.

"For where we are right now, I think it's a good representation," Smith said. "We're just having fun playing the songs, and now that the album's out we just want to see people in the audience singing along."

Panic at the Disco will get to hear plenty of fans chiming along during its headlining spot on the 8th annual Honda Civic Tour, which stops at the House of Blues in North Myrtle Beach on Tuesday with Motion City Soundtrack, The Hush Sound and Phantom Planet.

Fans will have a chance to drive away in a brand new 2008 Honda Civic Hybrid. A portion of each Honda Civic Tour ticket sold goes to a special eco-fund. Concertgoers can log on to www.spin.com/ecocontest to enter.

"It was something we wanted to get our voice out there about," Smith said of the environmental cause.

For more on Panic at the Disco, log on to www.panicat thedisco.com or www.my space.com/panicatthedisco

Source: myrtlebeachonline.com
Posted on 04/26/2008 3:40 PM Comments (0)

April 24, 2008

patd on tv

04-24 - PATD ON YOUR TELEVISION

PATD will be all over your TV screens the next few weeks. On May 5th the band will be appearing on MTV’s TRL. Then on May 8th the band will be performing on the Late Show with David Letterman on CBS at 11:30pm ET/PT. Stay tuned…you never know if the band will need a few last minute audience members for the shows!


Posted on 04/24/2008 8:36 PM Comments (1)

April 22, 2008

Panic signing

Friday, April 25th, 6PM
Purchase a copy of Panic At The Disco's latest CD “Pretty. Odd” at the Orlando Virgin Megastore Downtown Disney location only to receive a wristband to attend the CD signing on Friday, April 25th @6PM. Time & Space are limited.
-patdonline

Posted on 04/22/2008 9:37 AM Comments (0)

April 17, 2008

Ebony.

Your memory still haunts me
After all the things you've done.
I try so hard to leave you behind
But the pain and misery become one.

I settled for less than what I deserved
I regret it every day.
My tears turned into anger,
"I love you" was all you could say?

You ran me over any chance you could
Yet nothing I would do.
I thought that you would change,
I thought that I loved you.

You and my best friend
I thought I'd never see.
I hope she tasted good.
How could you do this to me.

Your words were nothing but lies.
every single one.
Stab my back and slit my wrists.
Finish the job till your done.





Posted on 04/17/2008 9:56 PM Comments (0)

Patd & Abbey Road

Panic At The Disco will be among the artists that will perform on the second season of Sundance Channel series Live From Abbey Road. Live From Abbey Road is a weekly series where musicians discuss recording and perform an intimate set at the Abbey Road studios in London. The new season premieres in June.
-patdonline

Posted on 04/17/2008 9:28 PM Comments (0)

April 16, 2008

patd and paris!

Panic At The Disco will perform at the Furia Sound Festival in Cergy-Pontoise on June 29th. They will also play at The Virgin Show in Paris on July 4th. Visit their websites for more information. Thanks to sarah.
-patdonline

Posted on 04/16/2008 10:28 PM Comments (0)

March 25, 2008

Things Have Changed for Me, My Poor Son of a Humble Chimney Sweep.

It is here.  It is in my hands. It is Pretty. Odd..
No I did not acquire my deluxe edition of pretty. odd. because it didn't come in the mail on the day it was supposed to.  However, I got my copy that I'm listening to right this second....at walmart.  I await the day when I can grasp my deluxe edition in the palms of my hands.  Anyway, on to my review.

1. I'm not going to go through every single song and tell you what I like and what I dislike and how I think that pretty. odd. is an "oh-so-beatle-esque" themed try at panic finding their official sound of music.  Because I don't think any of those things.  I absolutely love Pretty. Odd..  I have heard lots of people saying how they "should have kept the style of Fever",  but I couldn't disagree more.   Don't get me wrong, I loved the style and lyrics of how things used to be, with Fever, but everyone changes.  You, me, everyone.  And no one has a problem with it.  So why should we?

2. This album is marvelous.  The lyrics, the new style, and the beautiful addition of ryan, spencer and jon's voices.  I am officially in love with it, even after stabbing myself accidentely while trying to open it.  I don't have a favorite yet, because they are all awesome.  Once I put it on my ipod we'll see which ones I listen to the most.

3. Some more awesome things:
Brendon's voice when "The Piano Knows Something I Don't Know" starts/ends sends chills up my spine.
I love how "We're So Starving" goes straight into "Nine In the Afternoon".
I love how they added brendon to "Behind The Sea".
I love ryan's voice.
I lmao when I uploaded pretty. odd. to my itunes, it kept the "!" in Panic! At The Disco. (gosh i haven't written it like that in ages)
I love the album artwork.
These songs=brilliance.

The bottom line is. This album owns me, my world, and I will be blaring it out of my speakers for eternity.  There is a defenite possibility that I will randomly quote any and every song from this masterpiece.
"But who could love me? I am out of my mind.  Throwing a line out to sea. To see if I can catch a dream."

love


Posted on 03/25/2008 3:37 PM Comments (1)

March 18, 2008

Pretty. Odd.

Soo i came to write this short journal to state that i'm not gonna listen to the leak of pretty. odd..  Even though everyone i know has probably already listened to it, i want to save the suprise for when i get my beautiful deluxe edition.  It will be just the like that perfect Christmas when you wake up, run down the stairs, and find that red bicycle that you wrote a letter to santa for. (ok so no i never got a bike for christmas, and i don't think i've ever written a letter to santa.)  I just don't want to kill the excitement of when it arives.  And i can hold it in my hands.  And i can put it in my cd player and listen to it, without trying to get mtv to even start working.  Soo i guess that's all, haha thanks for listening.
Posted on 03/18/2008 1:09 PM Comments (8)

March 17, 2008

My 5 wishes....

I was tagged by tokyobound21 :D

5 things I wish for...

5. I wish I could do anything, and make it seem simple

4. I wish I knew what to do

3. I wish I could fly

2. I wish i could totally meet the members of my favorite bands :D

1. I wish i didn't have to tag 5 people. haha



I tag: jesslovespanic, ultraviolet06, ryroandbdenishot, hispanicxatxthedisco, and vanee


Posted on 03/17/2008 5:20 PM Comments (0)

**** live in Phoenix at target

Ok so I just found out that you can also pre-order fall out boy's cd/dvd "**** live in Phoenix" from target.  It's also cheaper than some other sites that i've seen it on.


Posted on 03/17/2008 10:57 AM Comments (0)

March 8, 2008

Everything Burns

Everything Burns-Ben Moody ft. Anastacia
She sits in her corner
Singing herself to sleep
Wrapped in all of the promises
That no one seems to keep
She no longer cries to herself
No tears left to wash away
Just diaries of empty pages
Feelings gone a stray
But she will sing

Til everything burns
While everyone screams
Burning their lies
Burning my dreams
All of this hate
And all of this pain
I'll burn it all down
As my anger reigns
Til everything burns

Ooh, oh

Walking through life unnoticed
Knowing that no one cares
Too consumed in their masquerade
No one sees her there
And still she sings

Til everything burns
While everyone screams
Burning their lies
Burning my dreams
All of this hate
And all of this pain
I'll burn it all down
As my anger reigns

Til everything burns
Everything burns
(Everything burns)
Everything burns
Watching it all fade away
(All fade away)
Everyone screams
Everyone screams
(Watching it all fade away)
Oooh, ooh
(While everyone screams)
Burning down lies
Burning my dreams
(All of this hate)
And all of this pain
I'll burn it all down
As my anger reigns
Til everything burns
(Everything burns)
Watching it all fade away
(Oooh, ooh)
(Everything burns)
Watching it all fade away

Posted on 03/08/2008 3:43 PM Comments (0)

March 5, 2008

Hot30 Previews Pretty. Odd.

With Panic's second album hitting stores March 29, the Hot30 were stoked to drop into the Warner office to score a listen to one of only two discs in the country and give you your first taste of the record!

There’s been a lot of talk about just how different this second album is, but fans shouldn’t be too alarmed if they're willing to be adventurous. It's brilliant if you let it be.

The band may have swapped the fast-paced ‘emo’ flavour for a lusher, old school pop sound but essentially they’re the same band at heart. They still relish a clever turn of phrase and ridiculously long song titles, have a knack for turning in unlikey yet infectious pop songs and indulge their love of theatrics. Anyways, let's get into it...

1) We’re So Starving
A short and sweet guitary intro with lead singer Brendon Urie chiming in over a little pop tune – “we’ve been busy writing songs for you / You don’t have to worry, we’re the same” like the smart-arses that they are.”

2) Nine in the Afternoon
Like many of the new songs, this first single is a lot slower in tempo than their first breakaway hit, ‘I write sins not tragedies’, with a sunny procession of piano, horns, bells and strings. Nine in the afternoon? That’s crazy talk!

3) She’s a Handsome Woman
The tune kicks off a rocky guitar and a piano twinkle. Urie is in fine form here, singing bizarrely about cupboards and cookie jars. A big drum build-up rises to a rousing chorus about “filming the world before it happens” – the paparazzi maybe (?).

4) Do You Know What I’m Seeing?
Starts with film score strings before rolling into a playful, dreamy track that climaxes in a Beatles-like chorus. “I never give a damn about the weather, but it never gave a damn about me,” sings Urie.

5) The Green Gentleman
Faster and rockier, this tune is screaming out to be a single with its pacier, bouncy tempo. It sees the band wrestling with their life-changing fame and time in the spotlight with lines like “Things have changed for me… and that’s okay”.

6) I Have Friends in Holy Spaces
This two minute tune sounds like it’s being played on an old radio with a breezy island vibe over jazzy clarinet noodling. Weird but interesting.

7) Northen Downpour
A ponderous acoustic ballad that sees Urie soulfully banging on about the moon just like he does in ‘Nine in the Afternoon’ with guitarist Ryan Ross adding his vocals. He plays Beatle John Lennon to Urie’s Paul McCartney.

8) When the Day Met the Night
Another song with more moon and sun references confirms the Panic boys have been spending way too much time at the observatory! Launches into a joyous, sun-drenched chorus with trumpet blasts and swirling strings. These emos have finally cheered up!

9) Pas De Cheval
Blues guitar meets a galloping drum beat with big backing vocals and another tongue-in-cheek chorus ‘It’s the greatest thing that’s ever happened / Imagine knowing me!”

10) The Piano Knows Something I Don’t
An airy-fairy Beatles-sounding track sitting on a bed of strings, until the drums creep in and it’s suddenly an explosion of light, melody and trilling horns. Picture Urie playing the lead guy in a film on a moon-lit balcony pondering love lost…

11) Behind the Sea
Bouncing along on handclaps and guitar, this tune features Ross singing once again. Then slap bang, the song turns into a fantastic dance-a-long escape. You can almost imagine the band in a can-can line doing the high kicks!

12) Folkin’ Around
Worth it just for the title alone. This short song’s country banjo and squealing fiddle sees Urie lamenting “You’ve never been more divine in accepting defeat and and I’ve never been more scared to be alone.”

13) She Had The World
Beatles! Beatles! Beatles! Indulging a ‘Lucy in the Sky with Diamonds’ vibe, Urie and Ross get astrological again as they sing “When I look into their eyes, I just see the sky” over a harpsichord (?).

14) From a Mountain In the Middle of the Cabins
This colourful number has a swing in its step with horns, playful piano and double bass. It features one of the album’s best choruses – “If you’re going, go! Go go go!” You can already hear a thousand emo teenagers around the world breaking up to this.

15) Mad as Rabbits
The guitar returns for a finale with a frantic chorus about “mad as rabbits / bushels of bad habits”. Scores points for the use of the word “bushels”, the ‘doot doot’ singing and its rousing swell of voices for the climax!

Source: Hot 30 - Australia

credit to patdonline[dot]com

Posted on 03/05/2008 7:18 AM Comments (2)

March 4, 2008

FOB kids choice awards voting!!!

Fall Out Boy is up for Favorite group for the kids choice awards 2008! so vote now! Click here!
credit to petewentzonline[dot]org

Posted on 03/04/2008 11:18 AM Comments (1)

March 2, 2008

Pete's blog 03/03/08

the greatest thing about the realization that so many people love to hate you is the moment you step beyond the paranoia and junior high school insecurity- when you realize that it is truly liberating. you can think whatever you want or do whatever you do because people hate you beyond clicking an anonymous submit button.

i have beaten contra three times this week. only with the thirty lives though.

i have the greatest love of my life.

i am going to a couple of areas of extreme conflict in the middle east late this spring. i am anxious to hear the stories of people and bring attention to the refugees. war is over if we want it to be. change is here if we want it to be.

i want to stay in that ice hotel sometime. it seems to be one of those things i want to do before i die.

i miss hearing how youve been when we come through your town.

hope we can put it all together some day down the road. no big deal, but i do miss it for the record.

i think 90 percent of how i feel is based on my sleep patterns and the way i only sleep about three hours a night. i am going to a sleep doctor that will help me figure this all out with out the aid of narcotics. i am nervous.

you only see what i want you to.



this night was perfect. ill always remember it. one of those "go to" moments in my head, where i am completely okay with being me.





this dude puts me at my best. no matter what.



current addiction (and from back in the day addiction)
radracer, excite bike, megaman two, ghosts and goblins, goonies two, zelda, castlevania, topgun, ninja gaiden, burgertime, blades of steel- we can be friends with you have ducktales or tnmt2.


Posted on 03/02/2008 11:51 PM Comments (0)

FOB "**** Live"

Fall Out Boy's **** Live hits stores April 1st. Taped last June at the Cricket Pavilion in Phoenix for the 2007 Honda Civic Tour, the DVD features over one hour of live music. Also featured on the DVD are all eight Fall Out Boy music videos in chronological order, the making of “Me & You” (filmed in Uganda) and plenty of behind-the-scenes footage and out-takes from last summer’s Honda Civic Tour. The CD + DVD package includes an 18 track Live CD featuring select songs from the concert and a previously recorded, never before released studio recording of Michael Jackson’s “Beat It” with John Mayer on guitar.

DVD Track Listing
Thriller
Grand Theft Autumn/ Where Is Your Boy (Gabe from Cobra Starship)
Don’t Matter (Akon cover)
Sugar, We’re Goin Down
Our Lawyer Made Us Change The Name Of This Song So We Wouldn’t Get Sued
Of All The Gin Joints In All The World
Hum Hallelujah
I Slept With Someone In Fall Out Boy And All I Got Was This Stupid Song Written About Me
Tell That Mick He Just Made My List Of Things To Do Today
I’m Like A Lawyer, The Way I’m Always Trying To Get You Off (Me & You)
Little Less Sixteen Candles, A Little More “Touch Me”
Beat It (Michael Jackson cover)
Carpal Tunnel Of Love
Golden
I Write Sins, Not Tragedies (Panic! @ The Disco Cover)
This Ain’t A Scene, It’s An Arms Race
Thnks Fr Th Mmrs
The Take Over, The Breaks Over
One And Only (Timbaland Cover)
Dance, Dance
Drum Solo
Saturday
credit to petewentzonline.org
CD Track Listing
Thriller
Grand Theft Autumn
Sugar, We’re Goin Down
Our Lawyer Made Us Change The Name Of This Song So We Wouldn’t Get Sued
Of All The Gin Joints In All The World
Hum Hallelujah
I Slept With Someone In Fall Out Boy And All I Got Was This Stupid Song Written About Me
Tell That Mick He Just Made My List Of Things To Do Today
I’m Like A Lawyer, The Way I’m Always Trying To Get You Off (Me & You)
Little Less Sixteen Candles, A Little More “Touch Me”
Beat It (Michael Jackson cover)
Carpal Tunnel Of Love
Golden
This Ain’t A Scene, It’s An Arms Race
Thnks Fr Th Mmrs
The Take Over, The Breaks Over
Dance, Dance
Saturday
credit to petewentzonline[dot]org

Posted on 03/02/2008 10:48 AM Comments (0)

February 28, 2008

Listen To "Beat It" featuring John Mayer

Listen to it here!

credit to petewentzonline[dot]org

Posted on 02/28/2008 8:05 PM Comments (0)

Patd heroes soundtrack

NBC is set to release the first original soundtrack for its series Heroes on March 18. Among the artists who have contributed new music to the project are Wilco, Death Cab for Cutie, former Prince collaborators Wendy & Lisa, and Panic! at the Disco. The CD will also contain classic tracks from Bob Dylan (''Man in the Long Black Coat'') and David Bowie (''Heroes''), and the first new single from Jesus and Mary Chain (''All Things Must Pass'') in a decade.

Five music video montages accompanying songs from the soundtrack, using footage from the show to portray a theme related to the track, will also be available for free download at the Zune Marketplace and for streaming at MSN. Nada Surf's ''Weightless'' will be the first such video, first available on Feb. 29. The soundtrack will be sold as a CD at Best Buy stores and as a music download through various digital music stores.

Tracklist for the Heroes soundtrack:

1. ''Heroes Title,'' Wendy & Lisa
2. ''Fire and Regeneration,'' Wendy & Lisa
3. ''He's Frank,'' Brighton Port Authority featuring Iggy Pop
4. ''All for Swinging You Around,'' New Pornographers
5. ''Glad It's Over,'' Wilco
6. ''Weightless,'' Nada Surf
7. ''Nine in the Afternoon,'' Panic at the Disco
8. ''Chills,'' My Morning Jacket
9. ''Natural Selectio,'' Wendy & Lisa
10. ''ABoneCroneDrone 3,'' Shelia Chandra
11. ''Not Now but Soon,'' Imogen Heap
12. ''Jealously Rides With Me,'' Death Cab for Cutie
13. ''All Things Must Pass,'' The Jesus and Mary Chain
14. ''Homecoming,'' Wendy & Lisa
15. ''Man in the Long Black Coat,'' Bob Dylan
16. ''Maya's Theme,'' Yerba Buena
17. ''Keeping My Composure,'' The Chemical Brothers featuring Spank Rock
18. ''Heroes,'' David Bowie
credit to patdonline[dot]com

Posted on 02/28/2008 3:51 PM Comments (3)

February 27, 2008

Brave New World-Kerrang! Article

It takes a bold band to turn their back on fame and success, in order to bust out of their mould. But, then, Panic at the Disco have never really played by the rules...

Ryan Ross holds out his hands, palm sides up, as if showing the world he has nothing to hide. Sitting on a high-backed, green-cushioned chair, the lead guitarist places his elbows on the round wooden table in front of him, his eyes as round and shiny as platinum discs.

Ross is currently occupied explaining just how normal, just how routine his life happens to be. Yes his band Panic at the Disco (these days without an exclamation mark) may have injected the music world with more colour than The Simpsons on HDTV, may have sold a couple of million copies of their 2005 debut albm, A Fever You Can't Sweat Out, but just like you he puts his socks on one foot at a time.

"See," he says, "people think that [success] must totally change you as a person, but it doesn't really. I still do the things I did before. I still have to pay rent, I still have to pay the bi..."

It's halfway through the world 'bills' that he stops dead, as if someone has pressed the pause button. His eyes are now less platinum discs and more rivulets of shame. To his left, Brendon Urie, the band's heart-throb of a singer, throws out a quick whinny of laughter, like a horse. He's heard this story, knows that it's a good one.

"Alright," he says, "paying bills might be a bad example."

Why?

"Because I'm not very good at it."

A little over two months ago Ryan Ross was at home in Las Vegas. Rising from bed he stepped into the shower and turned on the hot water, only to receive a short, sharp, shocking blast of cold water. Clattering blindly out of the shower stall, Ross wondered what the problem could be. Damn! Suddenly he realised what it was. Turns out that while the guitarist had remembered to buy himself a yellow and green upright piano with flowers painted on it, he hadn't remembered to pay his utility bills. Because of this, the power company had disconnected his home of heating and water.

"I have the money to pay bills," he explains, "it's just that I fall into the mind-set where I don't pay bills, where I don't put gas in the car, where I don't do laundry." This is said, by the way, as if it could hardly be more normal. Like, God, what kind of lunatic would you have to be to pay a bill?

Anyway, Ross didn't rectify this problem for three weeks. In fact, he didn't rectify this problem at all -- his girlfriend did, when she was out in Vegas visiting the guitarist from her home in New York.

Ross himself just shakes his head, explains that "things like this happen to [him] all the time," that he's "always getting [his] cell phone cut because [he's] forgotten to pay the bill." Ask him if were it not for the intervention of his girlfriend in getting the power in his home reinstated, whether the water and heating would still be off he answers, "Er, yeah, possibly...well...probably."

"He was coming over to my place every day to use the shower," says Urie.

"Actually," says Ross, happening upon a solution, "I would probably have moved in with [drummer] Spencer [Smith]."

So rather than pay your heating bill, you would actually move out of your home and into someone else's?

"Yeah."

The music Panic at the Disco make sounds as if it doesn't come from the real world. It's reassuring to know that some of the people who make that music don't seem to come from the real world either.

*

If you're in the business of dreams then London's Abbey Road Studios is as good a place as any to be. Around the corner from Lord's cricket ground, this unassuming Georgian townhouse in well-to-do St John's Wood has been turning music into magic since 1931. It was here that Cliff Richard (ask your mum...) recorded the first ever British rock 'n' roll single, and where the Beatles revolutionised the form in the decade that followed. In fact you can recognise the building simply from the coloured loops of Beatles graffiti drawn onto the white pillars that stand at the studio's entrance -- despite these pillars being repainted white once a month.

Panic at the Disco have been coming to this building for the past couple of weeks. While the majority of Pretty. Odd., the quartet's upcoming second album, was recorded at the Palm Studios in Las Vegas, the important finishing flourishes are being sprinkled on here in North West London. The band -- whose line-up is completed by Chicago born bassist Jon Walker -- are staying in apartments in nearby Maida Vale. They've been falling out of bed each day at 3 or 4pm and then walking over to Abbey Road. They've been adding strings and vocal harmonies to their 15 new songs. They've been working in Studio 1, which isn't the one used by The Beatles. At 4am, the end of each shift, they've been climbing into the back of a black taxi cab before falling into bed shortly before dawn.

"We haven't seen a lot of daylight," admits Urie. "It's been kinda like being in Vegas."

Apart from it being grey, and oppressive, and raining. That is, except in one of Abbey Road's mixing rooms, where out of the room's giant speakers, Pretty. Odd. shines like summer.

Panic at the Disco shelved the initial sessions for what they believed would be their second album -- a good six or seven songs which, according to Urie, "sounded like we were writing a musical -- not even a rock opera, just an opera." And they started again. Smith described this as being "easier than you might think," while Walker says the experience was "actually quite liberating." But if you assumed that the band scrapped these sessions in order to return to more familiar ground then you're set for a surprise.

Pretty. Odd. is not really a rock album. There is the occasional guitar-heavy song (Mad As Rabbits, for one, a tune so insanely catchy you'll be singing it until you faint) but mostly this is an album that is too restlessly creative to be confined to one thing. You can forget all about 'emo.' Instead this is a set populated by lush, melancholic orchestration (Do You Know What I'm Seeing?), by clarinets an ukuleles (I Have Friends In Holy Places) and by acoustic guitars (Northern Downpour and Folkin' Around).

Pretty. Odd. is outlandish and accomplished: fearless, even.

"When I first started playing in this band all I wanted was to be able to tour in a van for the next five years, " says Ross. "My definition of 'making it' was to be in a band and have that as my job. I didn't want to make tons of money and I didn't want to be famous. I just wanted to be able to commit myself full-time to making music. And we've achieved that. But at some point things got so big and so out of our hands that we had to do something important because we have so many people paying attention to what we do. And this album is us doing something important."

Have you made tons of money, by the way? Are you set up for life?

Ryan Ross laughs, a little snort, a quick flash of cynical humour from a young man otherwise unaffected by such an emotion. "No," he says. "I'm not even close to having enough money to last me for the rest of my life. Nowhere near.

"You know, that's the big misconception about people in bands," he adds, "that we make way more money than we actually do. I do okay, but it's not like it used to be. Bands in the '70s made way more money than bands do now."

*

"It's really weird, but since our music and our band has become well known, the only question people seem to ask us is, do we have any celebrity friends?" These are the words of Spencer Smith. The drummer is speaking on a mobile phone, live from Hollywood. He's not sure exactly where he is but as he speaks you can hear the whoosh of lunch hour traffic, of cars barreling down the boulevards. "Hang on," he says, "let me see if I can find a quiet street to walk down."

Okay.

"...Can you hear me better now?"

Much.

"Cool, what was I saying? Oh yeah. People just ask really obvious questions, questions that are kind of stupid. They want to know if it's true that Pete Wentz writes all of our songs. They want to know if we hang out with him all time. It gets a bit boring, you know? I think that people seem to think that we live in this big celebrity bubble, and we really don't," Smith pauses for a second. The gentle hum of distant traffic sounds almost like a sigh. "And no one seems to want to talk about the music we make."

Okay, talk about your music.

"Well, what do you want to know? All I can say is that I really love it and that I think it's great."

When Panic at the Disco finally stepped off the treadmill of touring following the success of A Fever You Can't Sweat Out, the group, according to Walker, had "probably played something like 200 shows, and [had become] much, much better as a band." They'd also grown much, much bigger. The just-out-of-their-teens quartet had gone from playing to 800 people supporting labelmates The Academy Is... to headlining three nights at London's Brixton Academy. They were playing to 10,000 people in Manhattan, and in hockey arenas all over their home country. And all of this happened with the band inside of a tour bus, the metal casing of which offered protection, and made them all but bulletproof.

And then that all stopped. Urie went home to Nevada and took stock of his recent experiences. He admits that it was "really strange to be outside of the touring bubble, which is what our band had existed in for so long." He took a look at the view and realised, "Wow, this thing has gotten to be totally huge."

He says this was strange because the members of Panic at the Disco "really don't think of ourselves as being a huge band." But the evidence was all around him, and "there definitely were moments" when Urie realised that "this whole thing had become totally out of control."

"It was a bit strange," says Ross. "Management would call up and say, 'Hey, you sold 50,000 albums this week.' But because we were on the road I'd go, 'Oh, really? That's interesting.' It didn't really mean anything to me, because it didn't seem real. But when we got off the road, and I had time to think about it, I realised, 'Wow, that is a lot of albums.' Especially these days. And then I began to get a sense of what we'd achieved."

Not a single member of Panic at the Disco attributes altitude sickness as the reason for the stuttering start they made in attempting to follow up A Fever You Can't Sweat Out, but such a massive shift in circumstance surely can't have helped. They went to Los Angeles and wrote some songs. They went up to the mountains and wrote some songs. They took a break, and through speaking with one another on mobile phones reached the common consensus that these new songs had to go.

So they started again, this time in Las Vegas. Within a week they'd written three numbers, all of which appear on the tracklisting of Pretty. Odd. They were on their way.

"I wouldn't say the album was effortless," admits Walker. "But it was definitely a lot easier when we found our focus."

Does it concern you whether Pretty. Odd. is commercially successful or not?

"Not really, no," says Ross. "It can't, really, because that's out of our control. All that we can do is write the best songs we can and hope that people like them."

Have you ever downloaded an album without paying for it?

"I have," he says. "Yeah. I used to do that a lot when I was younger and didn't have any money."

What would you say to someone who was planning on downloading your album without paying for it?

"Do you know what?" he says. "If that was the only way someone was going to get to hear our music I'd rather them do it that way than not at all."

*

But, really, after changes upon changes Panic at the Disco are more or less the same. A couple of Sundays back, the band were invited to the Grammy Awards ceremony, the annual US music industry backslap this year held at the Staples Center in downtown Los Angeles. Panic were nominated in a minor category not scheduled to feature as part of the live television broadcast. Not that it mattered, because Panic didn't win. Not that that mattered either, because they weren't even there to see themselves lose. Instead they arrived at the ceremony, realised that this wasn't a productive way to spend their evening and instead doubled back on themselves and went straight back to their hotel. The only thing they stopped to do was to sign autographs for the handful of fans who happened to be waiting outside.

"We realised that sitting in an arena for three hours surrounded by people in suits wasn't going to add up to a good time," laughs Smith.

So, really, the boys still just want to have fun. And, fittingly for a band from Las Vegas, they also want to gamble with the success they've achieved so far. To this end they've changed their sound, stretched themselves, accepted the possibility that many people who liked them on the last album might not like what they've now created. They've even decided to stake out their own ground in areas other than the sound of music. They've rejected what they see as the relentless negativity of so many other bands (whom they care not to name) and instead focus on things other than turmoil and pain.

"I try to think of the person who's worked an eight hour day," says Ross. "The person gets in their car and puts on their radio. I'd like them to hear a song that makes them feel happy for three minutes rather than something that makes them more depressed than they already are. We're not afraid to write about love or being happy."

"We have an entire culture that is either provocative or negative," says Urie. "It's so geared toward being shocking that it no longer manages to shock. They've pushed it as far as they can go both sexually and in terms of anger. Which is why we're here, to provide something different. "

The first song on Pretty. Odd. is called We're So Starving, which sounds so much like a bombastic show tune that one wonders just what the songs the band shelved sounded like. On this Brendon Urie sings, 'Oh how it's been so long/We're so sorry we've been gone/We were busy writing songs for... You!' At the word "you" the cheering voices of a thousand giddy fans flood the speakers. From here the tone is set. If you were to pick one word that best describes Panic at the Disco, nothing fits better than "entertainment."

"Yeah," smiles Urie. "I can live with that."

Well, how very Las Vegas of you.

"Yeah it is," adds Ross. "But you know what? We can live with that too."

****


Short Change: Swot up on the all new Panic at the Disco

The Missing !

Ryan Ross: "I'd love to tell you there was some big story behind the decision, but really there wasn't. We just decided to take it off. With the name of the album have two full stops in it -- Pretty. Odd. -- it seemed a bit much to also have the exclamation point in our name. It was a bit stop-start."

Any other changes we should know about?

Brendon Urie: "Everything is new with us. We've got a whole new batch of songs, we've learned some different sounds, some different styles and some different approaches. So everything's new. It's still Panic at the Disco, but it's definitely a new direction."


Source: Kerrang! Magazine - March 1, 2008
Transcribed by sathinks @ LJ.
credit to patdonline[dot]com

Posted on 02/27/2008 3:49 PM Comments (0)
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